Blops 3’s locations feel distinct, interesting, and lived-in. It mostly allows you to pace yourself, and it’s nice to have a minute to admire the scenery. Though Blops 3 is built out of tightly controlled corridors, as always, I didn’t have any problems with failing a mission because I took a wrong turn. Is it a Russian robot? Is the robot angry because it misses Russia? The bad guys don’t get a lot of screentime, so I’m not sure.Įach Black Ops game has gotten more loosely scripted and started to back away from its most egregious errors-mainly, going mental if the player takes a step out of line. Now there’s a robot beating you to death with your own arms. The details are unimportant and sparse: there’s a new Cold War (with Russia?) going on and a mission in Ethiopia (?) went completely pear-shaped. The story follows a special forces soldier as he-or, in a first for Call of Duty campaigns, she-gets the ever-loving crap kicked out of them by an angry robot. Someday, Call of Duty might be more than a brash no-brainer entertainer-but this is not that day. Blops 3 has an ambitious single-player campaign that takes some wild chances which it mostly almost manages to land, and it’s easy to recommend as a loud, dumb action movie-ish experience. These are the things that make Call of Duty the giant that it is. It features wild set-pieces, good actors, and guns that feel great. Call of Duty is not made by rookie developers, though, so let’s establish a few givens: This is a gorgeous game.
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